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天津图书馆外国文学撷珍(Classics Reading) 第110期:《罪与罚》(一)
发布时间:2026-11-10

黄叶丹枫,初寒渐至。本期为大家推荐俄国文学巨匠陀思妥耶夫斯基的名作《罪与罚》。作者历经苦难人生,以深邃的目光、犀利的笔锋,深入探察人类精神世界的幽微与复杂,为世界文学作出了巨大贡献。今天就让我们翻开书页,共同走进陀思妥耶夫斯基的文学世界。

作品简介

《罪与罚》是俄国作家费奥多尔·米哈伊洛维奇·陀思妥耶夫斯基创作的长篇小说。作品讲述了穷困大学生受到极端个人主义思想影响,面对社会不公和贫富悬殊,制造了一起震惊全国的凶杀案,由此陷入极度痛苦中,后在虔诚的姑娘索尼亚的规劝下投案自首,获得了精神上的新生。该作对主人公的心理刻画极为出色,思想内容也极为丰富,是陀思妥耶夫斯基的代表作,在世界文学中占有举足轻重的地位。

 

作者简介

费奥多尔·米哈伊洛维奇·陀思妥耶夫斯基(Fyodor Mikhailovich Dostoevsky,1821-1881),十九世纪俄罗斯最重要的文学家之一。1821年出生,自小患有癫痫病;1849年因参加革命活动被沙皇政府逮捕并流放,后又到欧洲避债,生活十分窘迫坎坷。其作品具有极其复杂、矛盾、深邃的特点,体现出人类走向现代进程中的彷徨与焦虑、苦难与信仰,代表作有《罪与罚》《卡拉马佐夫兄弟》《白痴》等。

 

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On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. Bridge.

He had successfully avoided meeting his landlady on the staircase. His garret was under the roof of a high, five-storeyed house, and was more like a cupboard than a room. The landlady, who provided him with garret, dinners and attendance, lived on the floor below and every time he went out he was obliged to pass her kitchen, the door of which invariably stood open. And each time he passed, the young man had a sick, frightened feeling, which made him scowl and feel ashamed. He was hopelessly  in debt to his landlady and was afraid of meeting her.

This was not because he was cowardly and abject, quite the contrary: but for some time past he had been in an over-strained, irritable condition, verging on hypochondria. He had become so completely absorbed in himself and isolated from his fellows that he dreaded meeting not only his landlady but anyone at all. He was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him. He had given up attending to matters of practical importance; he had lost all desire to do so. Nothing that any landlady could do had a real terror for him. But to be stopped on the stairs to be forced to listen to her trivial, irrelevant gossip, to pestering demands for payment, threats and complaints, and to rack his brains for excuses, to prevaricate, to lie -- no, rather than that, he would creep down the stairs like a cat and slip out unseen.

本书收录四十余篇陀思妥耶夫斯基最具代表性的文学日记、艺术评论等文章。他思想发展的多重转向在这些文字中得到充分呈现:既有他对彼时各类社会议题的思考,饱含对人民、祖国的热爱与忧思;也包含他对同时代作家与作品的评论文字,字里行间流露着他对黑暗现实的深切痛感,以及对祖国、人民乃至人类共同命运的关切,彰显他对人性美好品格与光明前景的执着追寻。

This volume brings together prominent philosophers and literary scholars to deepen our understanding of the novel’s full range of philosophical thought. Further, authors provide new approaches for thinking about the relationship between literary representation and philosophy, and the way that Dostoevsky labored over intricate problems of narrative form in Crime and Punishment. Together, these essays demonstrate a seminal work’s full philosophical worth -- a novel rich with complex themes whose questions reverberate powerfully into the 21st century.

 

文案策划及录音:图书借阅部 李圣昭

编辑:宣传策划小组 郭琳